STORY
PLOTLINE
London,
1983: an old house mysteriously burns to the ground.
London,
1883: The Doctor and Ace arrive at a sinister mansion in the rural hamlet of
Perivale. Horrors old and new await the time travelers amongst the peculiar residents
of Gabriel Chase.
But
it is Ace who must confront her own worst nightmares when she discovers that
her past and the house's future are inextricably linked.
COMMENT Spoliers
ahead
I
suppose it had to happen at some stage. The BBC has started releasing DOCTOR
WHO stories in which the extras are more interesting than the stories.
I say 'started'; given that anyone who wants the things will already have a copy
of some description or be resigned to it coming around on UK Gold every so often
(yes this is the Internet but we're talking about a UK release so the point stands).
So many of the stories, unless they've been revamped in some way as in THE
DALEK INVASION OF EARTH, depend on the extras to make them appealing
but in the case of THE TWO DOCTORS it has to be faced - the
story's rubbish, so the extras are all that's left.
And they're a mixed bag.
There are the featurettes, for example - 'Under the Sun' and 'Under
the lights'. These are montages of takes, alternative and otherwise, which
make up the making of a programme in its entirety. And they are dull, dull, dull
- much of TV production consists of getting the lighting exactly right, getting
the sound levels exactly right and if these compilations prove anything then
it's that we're lucky someone else does this and we don't have to sit theough
them ourselves.
Then there's 'Doctor Who In A Fix With Sontarans', a Jim'll Fix It DOCTOR
WHO extra which oddly reflects everything that was wrong with the programme
at the time: extra gore at the expense of genuine suspense. Which is fine here,
if only the programme had been better. And of course there's Gary Downie's 'Adventures
in Time and Spain', in which he reveals that he's affable enough, more comfortable
behind the camera than in front of it and it all serves to emphasise that the
Spanish setting was pretty redundant anyway. The Robert Holmes documentary is
better but it rather rubs it in that the attached story isn't the man at his
best.
Don't kid yourself. If we'd had this sort of material for THE TOMB OF
THE CYBERMEN release, or THE WAR GAMES when they get
around to releasing it, we'd be lapping it up. As it is, the repetition of an
already-too-slow story serves to rub our noses in it rather.
This period of DOCTOR WHO really wasn't that great, and if the
BIG FINISH's experience demonstrates anything then it tells us that both Doctors
(not just Troughton as I thought at the time) deserved better.