SEVENTH
DOCTOR | COLDITZ
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"...if
a little heavy-handed at time, |
however
it is the post-production and sound-design |
that
seems less polished than previous ..." |
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STORY
PLOTLINE
Autumn
1944.
A Nazi defeat seemed inevitable but there was Time for things to change. Colditz
Castle claimed to the most secure establishment in Germany but not for a TARDIS.
With the Doctor and his Companion captured, the Third Reich now has his ‘travelling
machine’ and their sights set on triumph.
COMMENT Spoliers
ahead
With a plethora of ‘real-life’ Colditz Castle Camp documentaries
on British television over recent years, any science fiction drama will attract
a greater degree of scrutiny than a drama set on a space ship; scrutiny that
could result in criticism.
The dimensional-paradox dénouement of episode theee is the key to this
all-new drama, but it takes along an age to be revealed by the villainous and
enigmatic Rani-esque, Klein.
Tracey Childs, as the fanatical yet somber Klein, hooks the listener theoughout,
eagerly awaited for her next scheming scene. The character is expertly ‘accentuated’ by
Childs, fluctuating the Anglo Germanic inflection across the story as she reveals
her true mission from the future; a triumph of professional direction by Gary
Russell that has been lacking from many of his attempts.
The ‘repertory’ players are well rounded: starkly ferocious Kurt
by Tennant and the affable ‘goon’ Schäfer by Longworth form
the two extremes of the ‘baddies’. Nicholas Young as nonchalant schemer
Flyer Officer William Young and the naïve schemer Timothy Wilkins form the
two extremes of the ‘goodies’.
And now the ‘leads’; McCoy and Aldred. Sylvester McCoy, following
his re-birth in THE FIRES OF VULCAN, continues to be endearingly
manipulative as the Doctor. Sophie Aldred sufficiently survives a workman-like
script proving that she can be adaptable and adept – the TV series never
gave her that opportunity. Writers of the TV series and Big Finish have yet to
comprehend and accept that Ace needs to mature.
The music score capitalises upon the strength of the setting, if a little heavy-handed
at times, however it is the post-production and sound-design that seems less
polished than the previous Big Finish audio dramas.
COLDITZ is a satisfying drama that is neither a TIMELASH nor
a THE CAVES OF ANDROZANI but one that adequately spans the gap
of between expectation and quality.
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EOH
CONTRIBUTOR |
MATTHEW WALTER |
EOH
RATING |
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INFORMATION |
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Sylvester
McCoy
Sophie Aldred
Writer
Steve Lyons
Director
Gary Russell
Cover Design
Clayton Hickman
Music/Sound Design
Toby Richards + Emily Baker
Production Code
7U
Recorded
26/27.05.01
Released
22.10.01 |
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